Orot, Inc. together with Ramhal Institute, Jerusalem, just released this new work by Bezalel Naor, Shod Melakhim, a collection of studies in Maimonides’ Mishneh Torah. 176 pages. Hebrew. Contains tribute to Rabbi Joshua Hoffman zt”l.
Available from Orot, Inc. (USA) or Ramhal Institute (Israel).
Orot, Inc. together with Ramhal Institute, Jerusalem, just released this new work by Bezalel Naor, Shod Melakhim, a collection of studies in Maimonides’ Mishneh Torah. 176 pages. Hebrew. Contains tribute to Rabbi Joshua Hoffman zt”l.
Available from Orot, Inc. (USA) or Ramhal Institute (Israel).
Rabbi Nachman of Breslov (1772-1810), great-grandson of Israel Ba’al Shem Tov, founder of the East-European Hasidic movement, is considered by many the “genius of Hasidism.” His mysteriously allusive lessons and stories have invited numerous studies, both by his followers, the Breslov Hasidim, and by academic scholars of various stripes. Needless to say, modern spiritual teachers such as the late Rabbi Aryeh Kaplan and the contemporary Rabbi Adin Steinsaltz have written commentaries to Rabbi Nachman’s stories. Somehow, until now, the one poem from the hand of Rabbi Nachman —ShirNa’im, translated as Song of Delight— has escaped notice.
Rabbi Solomon ben Abraham ibn Adret (1235-1310) was the Rabbi of Barcelona and the acknowledged spiritual leader of his generation. In this virtually unknown polemic work, he defends Judaism against the onslaught of Muslim theologian and critic Muhammad ibn Hazm (994-1064).
The text is based on a unique manuscript once housed in the Breslau Rabbinical Seminary. Researcher Bezalel Naor has relied on the transcription of one of the first graduates of the seminary, Joseph Perles, appended to Perles’ German monograph R. Salomo b. Abraham b. Adereth: Seine Leben und seine Schriften (Breslau, 1863). Naor’s lengthy introduction proves beyond a shadow of a doubt the attribution of the work to Rashba. In addition, the editor has included substantial footnotes and excursuses. The topic could not be more timely, as Judaism once again finds itself called upon to rise to the defense against the charges of Islamic triumphalists.
The volume includes a second original work by Bezalel Naor, Mitsvat Hashem Barah: An Elucidation of the Seven Noahide Commandments. The fascinating material is formatted both according to the order of Maimonides’ Hilkhot Melakhim and the order of the weekly Torah portion. (220 pp.)
Contained in the volume is a facsimile of a formal Haskamah (Approbation) from the late Talner Rebbe of Boston, Professor Isadore Twersy zt”l to Naor’s critical edition of Hassagot ha-Rabad le-Mishneh Torah (Jerusalem, 1984).
Kabbalah and Hasidism juxtaposed to the surrealist art of Marc Chagall.
Working with the model of the medieval bestiary, noted thinker Bezalel Naor explores the depths of human relation by way of a tour de force of Talmudic, Medieval Philosophic, Kabbalistic and Hasidic literature.
The Kabbalah of Relation juxtaposes images of surrealist painter Marc Chagall to ancient kabbalistic texts. Thereby, the texts and images bounce off one another. The images illuminate the texts (quite traditional for medieval manuscripts) and vice versa: the texts illuminate the images! So simultaneously, one has an artistic commentary to the Kabbalah, and a kabbalistic commentary to Chagall’s Surrealist Art.