Mahol la-Tsaddikim/Dance Circle for the Righteous explores the divine design in the creation of the universe. Although Maimonides (Guide of the Perplexed) shied away from this conversation, deeming the question illegitimate, the Kabbalists produced not one, but two responses to the question: a philosophic approach which centers on God’s ultimate goodness (Luzzatto), and a mythic approach which pivots on God’s “self-actualization,” as it were (Zohar, Luria). The departure point of our book is a fundamental mahloket or controversy between Rabbi Moshe Hayyim Luzzatto (Ramhal), on the one hand, and Rabbi Pinhas Elijah Hurwitz (Sefer ha-Berit) and the great Habad thinker Rabbi Eizik of Homel, on the other.
Selected readings from Eyn Ayah, Rav Kook’s commentary to Eyn Yaakov Legends of the Talmud, (1995)
Introduction and Translation by Bezalel Naor 147 pp. Hardcover $17.50
The Perfect Society the ancient ceremony of bringing the first-fruits to the Temple in Jerusalem – pageantry in a utopian key.
The Imperfect Society Rabbi Shimon ben Yochai’s thirteen years hiding in a cave – a reflection of his grappling with Roman rule and with the human condition.
“This work dealing with Rav Kook’s view of the cosmic purpose of the individual Jew and of his general Jewish society, is an outstanding vision of greatness, hope and challenge. Rabbi Naor is to be thanked for exposing the English-reading Jewish public to this masterpiece. No one who reads this book can help but be touched by its nobility and passion.” —Rabbi Berel Wein
“Whoever reads this book will find therein precious pearls”– Rabbi Aharon Soloveichik zt”l
Kabbalah and Hasidism juxtaposed to the surrealist art of Marc Chagall.
Working with the model of the medieval bestiary, noted thinker Bezalel Naor explores the depths of human relation by way of a tour de force of Talmudic, Medieval Philosophic, Kabbalistic and Hasidic literature.
The Kabbalah of Relation juxtaposes images of surrealist painter Marc Chagall to ancient kabbalistic texts. Thereby, the texts and images bounce off one another. The images illuminate the texts (quite traditional for medieval manuscripts) and vice versa: the texts illuminate the images! So simultaneously, one has an artistic commentary to the Kabbalah, and a kabbalistic commentary to Chagall’s Surrealist Art.
In the Desert–a Vision (Midbar Shur) is Rav Kook’s own record of his derashot or talks over a span of two years, 1894-1896. This book, which should have been the author’s literary debut, is the last of his works to appear in print. The reason for the delay, is that the manuscript disappeared in mysterious circumstances. The book may have arrived a century late; its message is uncannily timely. Beside their visionary quality, Rabbi Kook’s talks are remarkable for their encyclopedic knowledge. A typical derasha will start with a verse in the Torah or passage in the Midrash. From there, Rabbi Kook will weave a rich tapestry encompassing the breadth of Jewish literature: Bible, Talmud, philosophy, and Kabbalah.