In 1666, the mystic Shabbetai Zevi of Izmir (Smyrna) convinced most of the Jewish world that he was the righteous Messiah come to redeem his people Israel. Much of the Christian world, particularly Protestants in Western Europe, were equally fascinated by the tidings from the East (though they might have cast Shabetai Zevi in the role of Antichrist). All this came to a dramatic end with the Messiah’s forced conversion to Islam by the Sultan in Edirne (Adrianople). Was this truly the end? Does a Messiah ever truly end?
Reuven Alpert has doggedly tracked the remnants of Shabbetai Zevi’s followers in Greece and Turkey. A highlight of his journey is a visit to the home of this controversial personality in Izmir. Caught in the Crack is a search for the Messiah in time and space. Beyond that, Caught in the Crack has some disturbing things to say concerning Messiahs—Bar Kochba, Shabbetai Zevi, Jacob Frank—and the entire phenomenon of Messianism.
Reuven Alpert describes himself as a “spiritual anthropologist.” He has devoted several years to exploring exotic Jewish communities around the globe. He studied Talmudic law and Jewish philosophy in yeshivot and universities in the United States and Israel. His travelogs have appeared in Lifestyles magazine and elsewhere. Most recently, Mr. Alpert authored God’s Middlemen: A Habad Retrospective (White Cloud Press, 1998).
“On our globe, perhaps no rift is so profound as that separating Jew and Muslim. This is the story of a sect of some 25.000 souls who for over three hundred years have lived a double identity of Jewish Muslims. It is also the story of intense longing for the Messiah, of the apocalypse, of deep disappointment, and of faith beyond faith.”
Kabbalah and Hasidism juxtaposed to the surrealist art of Marc Chagall.
Working with the model of the medieval bestiary, noted thinker Bezalel Naor explores the depths of human relation by way of a tour de force of Talmudic, Medieval Philosophic, Kabbalistic and Hasidic literature.
The Kabbalah of Relation juxtaposes images of surrealist painter Marc Chagall to ancient kabbalistic texts. Thereby, the texts and images bounce off one another. The images illuminate the texts (quite traditional for medieval manuscripts) and vice versa: the texts illuminate the images! So simultaneously, one has an artistic commentary to the Kabbalah, and a kabbalistic commentary to Chagall’s Surrealist Art.
Exploring the Lost Art of Jewish Dream Interpretation
Rabbi Hayyim of Volozhin
Rabbi Abraham Isaac Kook
Rabbi Hayyim Beliach
Rabbi Elijah Eliezer Dessler
What do all these men have in common? Each participated in an ongoing dialogue concerning the validity of dreams. This book offers the reader rare sources such as Rabbi Hayyim Beliach’s essay Petiha le-Mar’ot ha-Nevu’ah (Introduction to Prophetic Visions). It also makes available for the first time in English translation Rav Kook’s commentary to Perek ha-Ro’eh (The Chapter of the Seer). Finally, familiar Bible stories are given a fresh appraisal. All in all, a valuable contribution to the perennial wisdom of dream analysis.